TUTANKHAMUN AND THE TRINITY OF
CHRIST
In his interesting account
of Velikovesky's Worlds in Collision (FT 118), Niklas Rasche
referred to my argument of the similarities between Pharaoh
Akhenaten and both Moses of the Bible and Oedipus of Greek
mythology. Tom Holland had, in an earlier issue Akhenaten (FT 117),
given more details of my identification of Akhenaten with Moses, but
he went on to say:
"The
naming of Akhenaten as the founder of the Jewish religion seems
positively restrained compared with Osman's real bombshell, his
revelation that Tutankhamun had, in fact, been Jesus Christ."
The
early Fathers of the Church accepted that Jesus appeared, not once,
but twice: First in the person of Joshua the son of Nun, who
succeeded Moses as the leader of the Israelites in the 14th century
BC, and again when, in his Glory, he appeared to the disciples in
the 1st century AD."Jesus" is the Greek form of"Joshua," which
appeared for the first time in the Greek translation of the Old
Testament made in Alexandria during the 3rd century BC. When the
Gospels were written, also in Greek, it was understood that Jesus
Christ was the same person as the Israelite leader who succeeded
Moses. The confusion between the two forms of the name only appeared
from the 16th century onwards, when the Bible was translated into
English. Only then was the name "Joshua" given to the Old Testament
character, while "Jesus" was used for his New Testament appearance.
As
I've come to the conclusion that Akhenaten was the same as Moses, I
also concluded that Akhenaten's successor was the same as the leader
who succeeded Moses. Akhenaten, king of Egypt (1378-1361 BC.), was
the first monotheistic ruler in history. He abolished the worship of
the different gods of Ancient Egypt and introduced a deity with no
image—Aten, the biblical Adonai—to be the sole God for all people.
In his 17th year, Akhenaten was overthrown by a military coup when
he used the army to force the new religion on his people, and was
replaced by Tutankhamun in 1361 BC. Akhenaten then went into exile
in Sinai, accompanied by some of his followers. Recognizing that
ordinary people need a physical object for their worship,
Tutankhamun allowed the ancient deities to be worshiped again, but
only as mediators between Aten and his people.
Ernest Sellin, a German biblical scholar, had found textual
evidence to suggest that an Israelite leader was murdered in Sinai,
and Sigmund Freud thought this leader was Moses. The Israelites, he
thought, killed Moses as they resented his strict teachings. I was
able, however, to identify the assassinated leader as Joshua the son
of Nun, successor of Moses. It was Phinehas, the priest of Moses,
whom I've identified with Pa-Nehesy the high priest of Akhenaten,
who killed Joshua. While the Israelites were still in the land of
Goshen in Egypt, Pa-Nehesy killed Tutankhamun at the foot of Mount
Sinai, as he regarded him as a heretic who allowed paganism's
return.
In
the tomb of Tutankhamun there is a unique scene, not found in any
other Egyptian burial, representing the Trinity of Christ. The
profound significance of the wall-painting escaped me until November
1997 when I was invited by General Mohamed Yusef, the then governor
of the city of Luxor, to speak in the city hall as part of the 75th
anniversary celebration of the tomb's discovery. Afterwards I was
privileged to have a private visit to the tomb. As I stood alone,
gazing at the painting of the burial chamber on the north wall, I
realized for the first time that I was looking at the strongest
pictorial evidence linking Tutankhamun and Christ.
The
painting is divided into three separate scenes. The first scene on
the right shows Aye, already crowned as the king's successor, but
nevertheless officiating as a priest dressed in the leopard skin,
performing the ritual of "the opening of the mouth" for
resuscitation of the dead Tutankhamun, who is shown as a risen
Osiris. The middle scene shows Tutankhamun entering the heavenly
realm of the gods and being welcomed there by the sky goddess Nut.
It was the ultimate scene on the left of the north wall, however,
that aroused my wonder. Here I saw three different representations
of Tutankhamun linked as one person. On the left of the scene stood
Tutankhamun as the risen Osiris, with a second Tutankhamun facing
him as the ruling king, Horus. Behind him is a third Tutankhamun
depicted as his Ka.
The
most remarkable feature of this scene is the fact that the risen
Osiris, although shown in the conventional mummified form with his
hands folded across his chest, is reaching out to touch Horus, as is
his Ka. Thus we have Tutankhamun as father, son and spirit—the same
relationship that we find in the Christian Trinity of the three
persons in one God—Father, Son and Holy Spirit—finally established
as orthodox belief after much acrimonious debate during the first
four centuries of the Christian era.
Ahmed
Osman