|
History always serves as an example or a reference with which one can identify what is the present. Because they are remembered, it is by necessity great characters for events which are so brought to us by History; this does not imply that what the characters or the events that they examplify are great. What is examplified is no necessarily amplified - keeping this in mind with humility we have chosen the mythological background of Giordano Bruno. What characterizes Bruno is a) the discourse of the Primal Scene, b) the invitation of transmitting this information in the Capital center of the Empire of his time, c) his agreement and his cohabitation with the initiate, d) the interruption of the initiation when his correspondent goes to court and accuses him of harming, bringing angish and being inhuman. The final step of Bruno's characterization if e) his elimination by the Empire. The situation of WT finds an example there for, a) he bears in his time the discourse of the Primal Scene (NOTE.1); b), c), and d) follow in the same form and order than with Bruno. |
The Attack upon Zenon (subnote05) is grounded on the description of a scene in three points a), b), c), as follows:
|
The choice of the Mythological Background is legitimate and valid: It may be question if the accusation
against Giordano Bruno is justified at all, since the factual elements
of his trial were grounded on religious and political points. An observator
of the accusation against Zenon may wonder if this can be equated with
the ruling of mariage by laic government in 1999.
b) Politics and
Science
The Factual Elements are instigaten by a compulsion of repetition: In the supposition of a compulsion
of repetition, we assume that the 'Mythological Background' is enacted
in the 'Factual elements'. In this process - and reason why it is 'compulsive'
- tha actors are not aware of this determination (technically called super-determination).
However this awareness is made possible by the use of reason and reflection.
It is for instance understandable that a social structure - as an Empire,
as any institutionalized human group - enacts certain mechanisms of repression,
or inhibition, of certain memories. When these memories tends to surface,
they are processed through certain mechanisms which eliminate them (they
are admitted in the pre-counscious, charged with negativity and
repressed - we can say that they are invited, arrested, eliminated);
no matter what is the 'reason' at that level, the mind always find and/or
construct easily any negative alibis - and the repression usually process
efficiently.
a) The object of the attack
|
note05; also titled - or sub-titled - Attack upon Zenon